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The only question is how do you fit all of Long Island in one room?
And if you haven't seen Peppi and the Good Rats new commercial yet, you should click here.
That night I’m sitting at a bar around ten o’clock, watching people, and sure enough I notice Frank Sinatra sitting down the corner of the bar with two blondes. Sinatra goes to play pool and I witness a scene between Sinatra and a guy named Harlan Ellison, and I write it down on a shirt board. But I don’t get it all, so I go up to Ellison and ask him if I can talk to him the next day. He gives me his phone number and address.When we speak in person I ask him not just what everyone said, but what he was thinking. I always ask people what was on their mind. Were you surprised by Sinatra? Had you me him before? Did you think he was going to hit you, or did you want to pop him?
From what I recall, Sinatra made a Jew crack at Harlan. From what I recall, no one created a petition to protest the matter.
Cliff: Was it particularly challenging following Jack Kirby on Captain America?
Gene: I certainly admired Jack Kirby's work tremendously. I really was weaned on his work. His work prepared me for the comic book world in a significant way. His action was very compelling and dynamic and I wanted to use it as a springboard to do even more--to see how much further I could take my action... beyond where Kirby took his. Certainly, it was abig challenge. Like if he had bricks and rocks coming at the reader, which he did very often and very dynamically, I tried to will the rocks to actually hit the reader (laughs). I wanted the reader to actually feel the blow from the rocks and fists... Of course, I couldn't really do that, but I tried.
I was intimidated by Jack's work, yes, but it made me a better artist. I became more of an artist and less of a cartoonist by trying to top Jack.
"I always wanted my own full length book and Daredevil was my first opportunity. I was thrilled to get my own character. I never thought that would come about because John Romita had it for a while. No one stuck with it and I just knew whatever book they gave me, if it was a full length book, I would stick with it.
"What made Daredevil special for me was he couldn't see and yet he could see better than people with sight. That intrigued me because that challenged me to show the reader how things might be without sight: How he sensed things a split second before they happened. It allowed me to be very dramatic with a different kind of artwork. One way was depicting reality; the other was by using effects to show how I thought a blind person might picture life--maybe through his other senses. Also, all the acrobatics he had to employ were challenging and exciting for me to choreograph in order to capture the audience's interest.
"Daredevil was also the first character I ever drew that fought injustice. And I liked that. I liked to portray how he would battle crime... I honed my craft on Daredevil for anything else that followed. I was high on the challenge of making and keeping this a successful book!"
(pictured from left to right: Marv Wolfman, Jo Duffy and Dave Cockrum)