Tuesday, January 28, 2014

The Worst Good Rats’ Show I Ever Attended

Mickey could play and chew gum at the same time.
The first Good Rats show I attended was during the abysmal days of the Carter administration. My pals and I hitch-hiked down Rt. 46 to Dizzy Duncan’s in Parsippany, NJ, a standing-room-only affair that we were legally too young to walk into, but if one didn’t know how to shimmy up the drainpipe and slip in through the torn shingles on the roof their street their cred was dead zero. I was 16 and looked 14 and recall trying to suck the beer out of my baseball cap after some mook in biker's garb spilled a Budweiser on my head. I stood by the stage, my nose as high as guitarist John Gatto’s heels, and got a gander of Mickey Marchello, whose bird's nest of a beard and obviously mad eyes made him look like La Barbe bleue. Front and center, Peppi Marchello was screaming, “I’m a Mean Mother.” It was love at first sight citing.

Nearly four decades later, I’ve stopped counting how many Rats’ shows I’ve been to. It’s like trying to remember all of your kid’s birthdays. Blame it on good living. And the worst Good Rats’ show I’ve ever attended? No such animal. They were all primal events. This is a family affair, boys and girls, as in Manson meets Adams.

What am I talking about? Come see for yourself. My pal Peppi sings with the angels now but his boys are still doing it and rumor has it Gene Marchello will be soaring on lead guitar and dueling vocals at the upcoming show at the Tap Room at the Somerset Hills Hotel, 200 Liberty Corner Road, Warren, NJ, on March 21.

Double your money back if not satisfied. Just take it up with the management.

Artists' rendering. Have you seen these men?

Wednesday, January 22, 2014

Comics' Soft White Underbelly

I've had warm and generous responses to Comic Book Babylon since its release as an e-book for the Kindle and other platforms. Want one? Visit Amazon by clicking here.

The physical paperback can be purchased from Aardwolf Publishing. Visit the Aardwolf site if you'd like one. There are still signed/#'d copies available.

This blog entry will be a repository of links for press about the book. Thus:

The Real Heroes and Villains in Comic Books is an in-depth review from the excellent writer Bob Duggan at BigThink.com

You Might Come to Comic Book Babylon for the scandal, but you'll stay for the people is an insightful review from Jack Abramowitz on ComicsBulletin.com

Bob Layton on Meth is an interview courtesy of Westfield Comics.

Dan Jurgens on Meth is an interview courtesy of BleedingCool.com

Pop Culture Hounding Cliff Meth is a podcast on BleedingCool via Chris Thompson - a long and fun broadcast interview

The Comic Book Babylon Facebook page (join us!)

Booksteve Reviews Comic Book Bablyon

Observing Comic Book Babylon: Cliff Meth Speaks for the Old Guard (courtesy of FanboyPlanet.com)

Review of Comic Book Babylon at MyReviewer.com

LibraryThing Review of Comic Book Babylon

Tuesday, January 21, 2014

Dan Jurgens On Meth

reprinted from BleedingCool.com

Dan Jurgens, best known for his lengthy runs on various Superman titles, usually finds himself on the receiving end of a Q and A session. But the artist/writer extraordinaire who brought us such iconic works as “The Death of Superman” recently took some time out to interview author Clifford Meth, whose new book Comic Book Babylon (Aardwolf Publishing) is raising eyebrows.
Not to be confused with Tim Pilcher‘s recent book about DC Vertigo UKClifford Meth‘s Comic Book Babylon is a brutal and frenzied behind-the-scenes view into the lives of many of comics’ most important creators. Artists and writers like Alan Moore, Frank Miller, Walter Simonson, Joe Kubert and Harlan Ellison enter into some of their most candid conversations with Meth as the author also details, for the first time, his historic battle (alongside partner Neal Adams) to obtain royalties for X-Men co-creator Dave Cockrum.
Jurgens: We all have comics we remember because of the impression they made on us in our youth. Might’ve been the story, the art, the character, a combination of all that or the chocolate malt you spilled on it. What’s the one single comic you remember from your youth, the impression it made on you and why?
Meth: I remember my first comic book pretty much the way I remember the first girl I slept with, although the comic lasted longer in retrospect. But the first comic that was important to me wasCaptain America #156, which concluded a story arc that had begun with issue #153. Steve Englehart was a master script writer and he’d decided to explore the conundrum that existed as Cap was frozen before the conclusion of World War II (until the Avengers rescued him in the 1960’s) but nevertheless continued to battle Reds in the red-scared ’50s. The Englehart series, which benefitted from Sal Buscema’s very clean, very enjoyable story-telling, defined Captain America for me. America’s savior had to be beyond politics, impervious to prejudice, not really super-human—despite that Super Soldier bullshit—but ethically flawless. They just don’t make saviors like that anymore.
Jurgens: You’re well noted for your willingness to step up and help some of the greats who came before us. Why? What sent you on the that path?
Meth: I was fairly young when I recognized that standing up to a bully, regardless of the consequences, was the only way to walk through life. That can be applied anywhere from the schoolyard to geo-politics. Men of good conscience can’t enjoy their meals when someone else is starving, but that’s especially true if the starving guy had his meal ticket stolen by a corporation.
Jurgens: If you could be any super VILLAIN in the world, who would it be and why?
Meth: Magneto. Not Stan Lee’s Magneto, who was over-bearing and mad as a fox, but rather Chris Claremont’s Magneto. The way Chris wrote him, Magneto had a moral imperative. Who can fault a man for wanting to protect his own kind? Charles Xavier never gained my partisan loyalty, or even my verisimilitude for that matter. It was always Magneto.
Jurgens: Your ultimate creative team and dream project you’d have them create?
Meth: I would have to pick John Lennon, Paul McCartney, George Harrison and Ringo Star and create an album, with George Martin producing. The final song would have to be an anthem of some sort, ideally by John, with guest vocalists in the choir, and Peppi Marchello would be there, and so would Phil Ochs. And I would have Jeffrey Jones paint the album’s cover and Roger Dean paint the inside gatefold and Allen Ginsberg would do a broadside insert that Sergio Aragones would illuminate. There’d be a pullout poster by Steranko and portraits of all the participants by James BamaMartin Scorsese would document the entire “the-making-of” for later release, which Harlan Ellison would narrate. And I’d write the liner notes.
Jurgens: Coke or Pepsi?
Meth: Coke. I never quite got over Peppi's boycott of Israel.
For more on Comic Book Babylon visit www.aardwolfpublishing.com